Homemade Surround Sound

Journal Squeeze

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SQUEEZE No. 1 is downloadable for free access.

With texts by: Denis Costa

/ / philippesanso / / Baptiste Roux / / Camille Decourcy / / MILL / / Michael J. Zito / / A Lemon

Author Buzz: Trumpet sneaky.

It's here:
http://revuesqueeze.blogspot.com/2010/09/revue-squeeze-n-1.html


______________________________________________________________ PS: A Call to
text is underway for the Number 2, new deadline Oct. 30, 2010.
Visit the blog for the rules:
http://revuesqueeze.blogspot.com/p/appel-textes.html

To celebrate the publication of this issue, the evening SQUEEZE No. 1 will be held on October 8, 2010. Theme: "Squeeze masked" with dinner, show, concert and djs. The
info:
http://revuesqueeze.blogspot.com/2010/09/soiree.html

Pascale

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The Princess of Cleves - 3

" Well, sir," replied she, kneeling down, I'll make a confession that was never done to her husband, but the innocence of my conduct and my feelings gives me the strength ... "

pressed with questions by her husband, in a recent decision by the advice of his mother before it disappears, and although all ignorant of the presence of the Duke of Nemours hidden nearby, the Princess of Cleves is going to tell her husband that she loves another and that it should therefore remain excluded from court order not to succumb to passion.

so doing, she makes her husband jealous and terribly unfortunate, however, prohibiting him from power blame, since she does not want to yield to his feelings, even trying by all means to get rid of it. Her lover
* meanwhile, will see his hopes fulfilled in this confession and will continue to nurture new that would finally, to take in the beautiful his arms.

We will stick there for what is the progress of history to question a little confession.
So?
Honesty, stupidity, candor, lack of reserve, naive?

Anyway, the choice of the princess was that of truth.
And if the rest of the story shows us that this confession was a source of great pain for some as for others it is useful to remind ourselves that the Prince questioned his wife and insisted that the Duke had not much to be hidden in the roof.
This decision of the princess, this young woman embarked on a passionate affair, a little still single since the death of his mother, dropped into a courtyard where lying is acceptable, it will choose the franchise and say yes to this question is whether "when you hear something that can like a call, we are required to be kept by him . "

** What an wit!
I think that even the honesty we can add courage, for simplicity, again borrow a few words to Lyotard: "The naivete is the explosion of righteousness originally natural to humanity against the become an art of feigning Another kind . "
** One thing sure, silly, it is not.

* Amant also meant the word in the sixteenth century, platonic relationship between two people who loved each other.
Jean ** Francois Lyotard's "Critique of judging"

Edith.

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The Princess of Cleves - 2

" It seemed so beautiful to the court, which drew the eyes of everyone ... . "
Input Miss De Chartres.
A lady to marry, or marry out more precisely just married.'ll Have to Madame de Chartres, his mother uses it with vigilance and reason. The Prince of Cleves, a lover of the young woman will live up to expectations of Madame, the thing will be decided though in full knowledge of an inclination much more tilted to one side than the other.
is because Miss de Chartres unclear what love means.
And this is our lady of Chartres, Princess of Cleves.
And a duke of Nemours, who returns to the court before leaving to marry the new queen of England. (Elizabeth's pet name).
" She still lives so far surpass all others and get so much master of conversation in every place where he was, by the air of his person and the approval of his mind, he did, in a short time a great impression in his OWCs st "
And that's it: the Princess of Cleves
discovers love in the person of the Duke of Nemours the same momentum is also shaken. Love nay, passion, not passion.
Here I must pause for a moment to notice, not without a smile, as if that's the beauty of the princess who is responsible for Duke's passion for the latter it is not enough and must be accompanied by an "approval of mind." We shall see that the spirit of the Princess of Cleves merit yet as we s' including interest.

For now, continue to follow the peregrinations of our love now.
Sorrows! For in this
passion nothing can. The princess is married and honorable woman (like her mama taught her) and can not consider let his strong feeling against the handsome Duke of Nemours. Him on his side, gave leave to all his mistresses, delaying his trip to England and lives only for a look, a smile, a crumb of attention from the beautiful princess.

They look smart both.

And then what about the strangest scene of this book, which for nearly four centuries continues to flow from the ink that can wait until tomorrow I will not at issue.

Edith

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The Princess of Cleves - 1 Mam

Here we are.
Short novel for which our literary scholars say it is the first psychological novel in this character he has to leave the facts to be interested in moods.
So I just read the first novel in French literature.
I did well.


A historical context significant: the story takes place during the reign of Henry II. The court held that it is most beautiful and most magnificent in the country.
"The magnificence and gallantry never appeared in France so brilliantly in the last years of the reign of Henry the second."
First sentence of the book.

The intrigues are going well and struggles for power are at the heart of the interests of each other. No obstacle would prevent the rise of a duke, a prince of the recognition or favors of a lady. And if the lady in question or the Duke does appeal anymore to the sovereign, the big deal of away from the court to relegate to a subordinate position, not its rank-would not allow it-no, just distant. Just like when
Rachida it away.

Except we're in the sixteenth century and I'm supposed to talk about the Princess of Cleves, I guess the air slightly pinched and sharp eye waiting patiently (as the Princess of Cleves is patient) in the pages of this great short novel.

It therefore still wait a bit before I express to him what it generates in me the paradox of having as many wanted him to bow than to give him a good kick in the butt.

Edith

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goz

That Mam goz part wallow in the ground And we
marri here with our hands hanging
Hens are concerned, which will deal with it?
And the brother a little crazy, that will comfort him? The

old, she should laugh, there with the ankou
In fatal tavern scented with soot ash
our miseries which ignite our hatreds
Recluse has always been in these villages sad

It has been thirteen , well vile apostles
Phantom of crosses, in the rain battered
The father no longer speaks for the empty house
And women are rare in our ancient homelands.

Earlier in the rain, we will go to the cemetery Walking behind the Bastard
attired in his cassock.
In the puddles of mud, our shoes bow
Afford pace with the insignia convoy.


Loïc Lemeur


Pascale
photo: mcf

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Back literary

Not yet read a single book from this prolific literary season.
Must say, which one to choose?
And then yesterday morning
this interview with Jean François Coppé on France Inter: "I took this decision to be like other countries (in Europe)."

knows why, I finally found the answer to my question is decided, I will read the Princess of Cleves.


Edith

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Emotions

' For Every Man has one life goal. Purpose Yours Is Nearly finished, though in it you look for yourself Had No Placed The aim Felicity in The Souls of others ... Those Who Do Not intended The observed impulses of Their Own minds must of Necessity Be Unhappy. '

Marcus Aurelius in Night Train to Lisbon , Pascal Mercier, Atlantic Books p.29

"Because everyone has a life, a alone, and yours is already almost completed that you had no respect for yourself, but you did as if you place in the souls of others ... But your happiness when you're not attentive to the emotions of his own soul, you are necessarily unhappy. "

Pascale

photo: pcf

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Further north

Are you proud, dead, having been?
Tranquil, the tumult subtracted
There you are in order.
Your silence is perfect, deeper than
Deserts.

What serves you coming
Hitting your flesh light
space in your body before you
When the air was so calm
And my memory?

I hope a form that seems far away, a mist
the morning you hiding that you suddenly reveals
In those I meet,
A step, a gesture
talk to me about you.

Each day, gently
A dam collapses
entailed by the sea and the dunes and the waves have come to fight.
They say this is so,
As one moves north.


Pierre Jalet


Pascale
photo: pcf